Besides, what film production doesn't deal with workarounds and unforseeable technical issues? It's synonymous to filmmaking, period. Is it the "perfect camera"? Well, no, I don't think I've ever met one of those to date. I know this statement breaks a few indoctrinated brains, but it's okay. Last time I checked a good image was high on the priority list. I'd definitely just make that another factor on the list. So while it's true that these Pocket cams are in fact relatively affordable, they also just put out a nice, Alexa-like image for the fraction of the cost. The client seems pretty darn pleased with the footage. We just shot a commercial for Microsoft on a 4K and 6K pro. We always had at least two on set, and on big days we had three to five. Dual ISO allowed us to get beautiful footage at night with LED lights.Īll of Jason Rising was shot with Blackmagic Pocket Cinema Camera 4Ks (except for drone shots). Time code syncing came later and is so helpful. We were able to record to Solid State Hard drives via USB-C cables and film with the BRAW codec for ultimate flexibility in post. The Pocket 4K camera’s footage is beautiful. The usability on the new Pocket 4Ks was amazing. The difference between the cameras was night and day. By the time we shot our second trailer, the Pocket 4Ks had been shipped, and we had some. We loved them, but their flaws are known. We then tested with my original Blackmagic Pocket Cinema Camera, and everyone loved the footage.īlackmagic had announced the Pocket Cinema Camera 4K, but they weren’t ready when we shot our first trailer, so we used the original Pocket Cameras. We started our tests with my Sony and Nikon cameras, and we weren’t horribly pleased with them. During that time, we developed the script, tested costumes, found our cast, and did camera tests.
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